Senza titolo

Senza titolo (Untitled) acquires forms, durations, and tones each time differently. The space is left untouched and triggers the dance, which is built in the actual and immediate encounter between the acting elements: the rudiments of the architecture, movements and postures of the audience. Even the sound environment offered by the place as it is, without adding musical elaboration.

The choreographic composition does not follow a priori writing, task, or guidelines, it is constructed simultaneously with the action so each element informs each choice instantly. The audience is invited to move, be distracted, be bored, or do something else. By placing and moving through the space, the viewer introduces new elements to the performance, fueling its composition.

Fabio Quaranta designs performance costumes by actively engaging in a network of ideas and influences that come together to shape the overall performance.

Place or space?: Every step arrives at a place.
If you care where you are then we will care also.
J. Borrows, "A choreographer's Handbook"

Senza titolo is a part of the choreographic project ARCIPELAGO/PRATICHE DI ABITAZIONE TEMPORANEA, actions built to be experienced in non-theatrical spaces.

So far, it took place in:
Venezia (Teatrino di Palazzo Grazzi, curated by Video Sound Art, 2021),
Verona (ArtVerona, curated by Maria Marzia Minelli and Claudia Santeroni, 2022),
Milano (Triennale Milano, 2023),
Torino (Pinacoteca Agnelli - Pista 500, curated by OHT, 2023),
Madrid (La Casa Encendida, 2024),
Firenze (Museo Sant'Orsola, 2024),
Brescia (Teatro Grande foyer, 2024).

Photo © Thomas Ba

Teatro Grande foyer

OCTOBER 9-10, 2024

The costumes, selected by Fabio Quaranta, are part of Urania: an archive of neglected, unproduced garments collected by the designer himself from the late 1990s to the present, which he appropriates through his mark and his love for the original.

Brescia

Photo © Umberto Favretto

Museo Sant'Orsola

OCTOBER 5, 2024

The construction site of the soon-to-open Sant'Orsola Museum is the performance space. The costumes, selected by Fabio Quaranta, are part of Urania: an archive of neglected, unproduced garments collected by the designer himself from the late 1990s to the present, which he appropriates through his mark and his love for the original.

Festival MATCH (SSS…) / Museo Novecento
Firenze

Foto © Claudio Ripalti - Cinestudio Italy

La Casa Encendida

JUNE 7, 2024

The Casa Encendida is a social and cultural space where artistic, educational and housing projects coexist. The neo-mudéjar style of the early 20th century outlines its aesthetic traits. The performance happened in the courtyard, the central axis of the building: a passageway but also a vital space where activities of different nature and vocation take place.

Festival Domingo 2024
Madrid

Photo © Lukasz Michalak

Pinacoteca Agnelli - Pista 500

MAY 27, 2023

For the 500 ramp of Pinacoteca Agnelli, the performance is conceived in two parts: one on the outdoor runway and another on the indoor ramp, the latter taking place inside Cally Spooner's installation, DEAD TIME (Melody's Warm Up). The costume featured in the performance is from the URANIA Not Original While Label collection, part of Fabio Quaranta's archive.

Little Fun Palace. Performance, workshop, letture sulla Pista 500
Curated by OHT [Office for a Human Theatre]
Torino

Photo © Evergreen Design House

Triennale Milano

MARCH 25-26, 2023
15:00 + 17:30 + 19:30

At the curve on the second floor of the Triennale's Palazzo dell'Arte, the performance unfolds in three moments marked by the changing of natural light that illuminates the space from the wide windows. The costumes for each act are different, reflecting the deconstruction of the uniform concept through simplified forms across all three performances.

FOG Triennale Milano Performing Arts
Milano

Photo © Lorenza Daverio

Museo di Castelvecchio

OCTOBER 14, 2022

For the Museum of Castelvecchio, cloths fabric, artificial and synthetic, is used as a counterpoint to the iron, stone slabs, and concrete, which determine the space in Carlo Scarpa's restoration. Color is a counterpoint, not a contrast, and the form of the costume follows the body as opposed to the rationality of the architecture. Immersed in a peculiar museum space, the viewer's gaze, attracted by the verticality of the sculptural works, is diverted and intercepted by the dance that draws the viewer to an unexpected vision, downward or beyond the enjoyment of the sculptures.

ArtVerona – Performance & the City
Curated by Maria Marzia Minelli and Claudia Santeroni
Verona

Photo © Skymind Images

Teatrino di Palazzo Grassi

DECEMBER 4, 2021

For the Teatrino di Palazzo Grassi, Senza titolo takes place in three actions developed at three different times of the day and lasting thirty minutes each. The dance space meets the works of other artists and artists who design and animate the foyer, the audience and its movements.

Gestus II atto: Il montaggio delle azioni
Curated by Video Sound Art
Chief curator: Laura Lamonea
Venezia

"Annamaria Ajmone. Infra—nights" Interview by Laura Pante, Cactus 2021

"Annamaria Ajmone, Gestus, Teatrino di Palazzo Grassi" Video interview by Video Sound Art, 2022

Photo © Matteo De Fina; © Lino Palena